New Yorker, Obama: A Second Bite
Tuesday, July 15th, 2008
“Art is science made clear.”
“your head gonna make a dead end on your street”
- Velvet Underground (White Light / White Heat)
Yesterday’s post left me with a disquieting murmur in the back of my mind. ‘Too easy,’ it muttered. And here comes Jean Cocteau to remind me that art is science made clear.
Can we criticize the New Yorker and Barry Blitt on social or political (or sociopolitical) terms for portraying the Obamas as a Muslim and a terrorist in the White House? No. Can we criticize them on artistic terms? Perhaps…
Decrying Blitt’s cartoon as tasteless and offensive doesn’t mean it’s not satirically funny; instead, it lends the cartoon a couple of the stock credentials of satirical humor.
To understand the failure of the cartoon one must look to Cocteau: ‘art is science made clear,’ he insists. Considering the New Yorker’s high standards, does the cartoon make clear the science it satirizes?
Yes, and no.
Yes, it parodies the ridiculous public fears and scurrilous Foxian paranoia about the Obamas as anti-American sleepers. The New Yorker satisfactorily defends each subversive element of the cartoon (the Muslim garb, the gun belt, the burning flag) as a reinforcement of its plain and simple satirical intent — to explode the damp squib of right wing racism.
But… and here Cocteau helps enormously, it isn’t necessarily funny, because, despite all of these well placed clues, it isn’t made clear.
The New Yorker is a liberal magazine. I love to read it. I’ve often said that I could be happy reading the New Yorker and nothing else. (Not strictly true, but it has some damn fine writing.) It’s also, despite the wry, dry, sprightly daggers of its prose, an essentially sensitive publication. It skewers the bad guys. While for the good guys it reserves a blunted point.
I worked so hard yesterday to repress this awareness. I wanted to laud the New Yorker and Barry Blitt. But as I scrolled through the New Yorker cover cartoons seeking out examples of the same kind of abrasive satire I knew deep down that I wouldn’t find anything quite like the Obama cover.
We see Ahmadinejad being being enticed to a game of footsy in the bathroom stall, Bush as a housemaid standing over a cigar-smoking Cheney, the neocons up to their necks in a muddy flood… Jubilant snickers at the expense of the bad guys.
But with the Obama cartoon, those at whom we would snicker are absent. If we laugh at the cartoon, we don’t laugh with the Obamas and we can’t laugh at them. The objects of our laughter, the conservative commentators and our narrow-minded neighbors, don’t even make the frame. They’re nowhere but in the dim recess of the cartoonist’s mind’s eye. Considered from this perspective, the cartoon veers toward the tragic. The victims take center stage. But clearly the cartoon cannot be tragic if the supposed victims don’t know it. The Obama’s expressions betray satisfaction and mischievous glee.
If the New Yorker in its cover cartoon had, as does the Onion in its copy, a history of satirical lampoon with no holds barred, the cartoon would make more sense; its art would be science made clear. But given the absence of this history, the cartoon’s immediate psychological impact tends to muddy its message.
Not that any of this matters in practical terms. The tiny fraction of the population who even read the New Yorker and would pay any attention to what it has to say aren’t inclined to think that the Obamas might be terrorists, no matter what cartoon it runs on the cover.
A couple more for Barry Blitt, with sympathy and respect…
“The worst tragedy for a poet is to be admired through being misunderstood.”
“Hey, white boy, what you doin’ uptown,”
- Lou Reed
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The New Yorker has a long history of offending people with its notoriously tasteless and offensive output of low-brow hackery.
Satire has no place in an enlightened society. After all, to appreciate satire one must simultaneously understand the direct impact of the satirical object as well as its indirect object. Surely we shouldn’t be expected to hold opposing or divergent concepts in our minds at one time, that’s just barbaric! This is one nation under god, godamnit!
Republican opposer — John McCain — no stranger himself to satire, limped nimbly to Obama’s support, declaring: “New York can go take a hike! Oh, wait a minute, there aren’t any decent hiking trails around New York. Come to think of it, the only place you can even safely fire your gun in New York is from the roof of a New York City housing project, and who would want to set foot in one of those places…”
So, when you get your hands of a copy of the current New Yorker, be sure to set it on fire and toss it into the grate as quickly as you can. At least, tear off the cover and set fire to that… we’ll decide later what to do with the rest of it.

Contrast this with the assertion of Frank Herbert’s son that his father didn’t finish college because he took only to the courses that interested him, forgoing required classes. Herbert worked at writing for many years before achieving success, relying on his wife’s income to support them. He submitted his landmark science fiction work — Dune — to 20 publishers before it was picked up for publication by a smallish press.
NY Times Op-Ed contributers Nathan Thrall and Jesse James Wilkins serve up an interesting history of President JFK’s face-off with Nikita Khrushchev
Mayor Michael Bloomberg will testify in court during the hearing of the city’s lawsuit against a Georgia gun-shop
And in the high stakes world of Internet search engines and on-line advertising (ten years ago, who would have thunk it?)
I want to believe that Bloomberg is fighting the right fight against those who sell guns. I like Bloomberg. He seems to have all around good intentions. But in this situation, maybe he’s misjudged. Maybe Jay Wallace isn’t the right guy to go after, or maybe Jay Wallace is just better at crafting a sympathetic image.
Natalie Angier
Angier rightly implies that an animal is what it is and does what is in its nature to do; any judgment we put on it has relevance only as an artifact of our mind. By using the word biobigotry Angier connects the concept to the human-human bigotry of judgments based on race, gender, age, weight, etc.
It is wrong for Angier to condemn cowbirds for leaving their eggs in other birds’ nests; that’s what cowbirds do. But is it likewise wrong to condemn a person who steals, for instance? Isn’t the act of theft a result of a certain set of circumstances — genetic, environmental, and circumstantial.
As fears rise of dire consequences from global warming, so does the noise of debate about what each of us can and should do to respond.
Nothing ‘just happens’ to be the occasion for an effect. Or, to put it another way, every cause is inevitably the occasion for its effect.
It started with some reflection on the cost of getting around in the city: I take my son to pre-school on the subway in preference to driving him, because we like the train and because I like the idea that I’m not contributing to global warming and pollution. But this morning as I walked in the Spring sunshine I realized that it costs me $4 for a round trip on the subway, while the cost of driving him to school would only be about 54 cents. That sucks. Shouldn’t we make public transportation more economically attractive than driving to encourage people to use it?
I then had started to write about the changing seasons and the way that this affects our conceptual view of the world. I was thinking about referencing lyrics from a record I was just listening to (The Mountain Goats -
It is no surprise then that many cultures and religions have conceptualized life and death as a cycle. Reincarnation, life after death. Renewal of life reflects our regular impression of the world, and it salves the pain of total loss.
Artist 
Bacon predicted that rational thought would eventually win out; that we would one day have a consistent , complete understanding of the world we live in, but that we would go through tough times to get there. He predicted that language would get in the way. That the terms we use to talk about and define things would become recursively problematic.
The susceptible age of four seemed to me too young for our son to be introduced to the joys and miseries of April Fools Day. My wife thought otherwise. And so it was that this morning he gusted into our dreams bright and early with a panoply of pranks all aimed at making himself happy at our expense.
Rattled by its plunging stock price and by threats from competitive coffee vendors,
The National Archives and the William J. Clinton library has released Hillary Rodham Clinton’s schedule
Likewise, the salient question presented by